There’s something about an underwater treasure hunt that gets my blood pumping. It brings out the pirate in me. Show me a film with promises of buried gold, shipwrecks and archaeological history and I’m first in line. Thankfully, Fool’s Gold delivers. Mostly. Yes, there are chests of gold and sunken boats but there are also a few too many coincidences, silly dialogue and some weak performances.
The film opens with treasure hunter Finn (Matthew McConaughey) and his partner Alfonz (Ewen Bremner) discovering the missing piece of a jigsaw puzzle, which, we will find out, has been plaguing Finn for many years. Of course, we don’t understand the significance of the shard of a plate, not yet, but that’s part of what works inFool’s Gold. It’s a mystery and it takes almost the whole two hours of the film to completely unravel. Continue reading “Review: Fool’s Gold”
Traditionally, January is the time of year when studios dump all the films they don’t think are going to do very well. With Mad Money, the new film directed by Calle Khouri, I’m not sure they’re right. But that doesn’t make it a good film. Mad Money follows Bridget Cardigan (
What was Paul Thomas Anderson thinking? In his new movie, There Will Be Blood, the auteur filmmaker is taking a lesser known novel by Upton Sinclair,
This is the season when realism gets thrown out the window in favor of extended metaphor. In the case of Rob Reiner’s The Bucket List, that metaphor is about living life to the fullest, no matter what’s coming down the pike.
Why? Why is it that because we get Tom Hanks and Julia Roberts, the proverbial Hollywood Prom King and Queen, in a true story written for the screen by Tinseltown’s chess club president
Look, I’m not going to sugar coat this. I hated Margot at the Wedding. From the opening, jittery, out-of-focus, poorly lit scenes which scream “I’m an independent movie” to the ending, which is so abrupt the audience is left sitting slack-jawed in their chairs long after the credits have started, this film just does not work. Now, I have nothing against indie films. I don’t mind relationship driven dramas or Nicole Kidman and I think Jennifer Jason Leigh is one of the finest actresses of her generation, but the script for this film gives them nothing to work with.
The problem with I Am Legend is that it has no idea what kind of a film it wants to be. This isn’t to say it’s not enjoyable, just that it’s not nearly as good as it could be which is a shame because the source material, a
The cool kids in high school are never as cool in retrospect. When you think back on it, from an adult perspective, they were the odd-balls, the ones who did whatever they wanted, who didn’t conform to societal norms. Such is the case with Juno, the title character in the new film directed by Jason Reitman (Thank You For Smoking) and written by Diablo Cody. She’s cool because she isn’t a cheerleader or a bitch. She’s just this odd little girl, named after the queen of the Roman gods, with a step-mom and a half-sister and house phone that looks like a hamburger. In short, she’s cool simply because she isn’t.
In what seems to be a growing trend, Enchanted is the latest entry into what should soon be called “The Great Fairy Tale Revolution of 07.” Like 


Once upon a time, in a horribly depressing place called Manchester, England, there was a boy named Ian Curtis. He had a few problems but decided to channel them into his music by singing in a band he dubbed