Films

Incredible Video Flawlessly Edits Dozens Of Famous Characters Into One Coherent Scene – Airows

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Photo by Negative Space on Pexels.com

There’s something incredibly cool about the art of editing. It can transport you from one time and place to another in a fraction of a second. Kuleshov developed the idea of “creative geography” when it came to film editing and now, here’s an extreme example of how it can be put to an extremely effective use. While this might be a tad long, it nevertheless is worth watching.

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Let’s hear it for the Goblin King

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Buy Karen Hallion’s stuff!

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Cinema’s greatest scene: ‘Casablanca’ and ‘La Marseillaise’

Casablanca is widely remembered as one of the greatest films of all time, coming in at #2 on the AFI’s top 100 list and similarly regarded by many other critics. You can quibble with its exact rank, but it’s at least undeniable how iconic Casablanca remains. Even now, more than 70 years after its 1942 release, few movies have ever produced as many enduring quotes. Continue reading

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May the Fourth Be With You: Princess Leia’s Stolen Death Star Plans

PLSDSP_AlbumCoverPalette-Swap Ninja, whom I have never heard of before, is a parody band who focus on geek culture. This year, in honor of the 40th anniversary of Star Wars: A New Hope and the 50th Anniversary of Sgt. Pepper’s Lonely Heart’s Club Band they did what anyone would naturally do — mashed up the two.

That’s right, it’s Princess Leia’s Stolen Death Star Plans! #PLSDSP Continue reading

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Styx

My niece Riley just made her first film. I think it’s awesome. There’s some wonderful raw talent here.

I am so looking forward to seeing whatever she does next!

 

 

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‘The Fantastic Made Visible’ Suffers From Some Blind Spots | PopMatters

“The essays within display a fantastic array of quality.”

Here's a new review I did for PopMatters. 14 essays about adaptation from book to film.

Click and give 'em some love. 'The Fantastic Made Visible' Suffers From Some Blind Spots | PopMatters

 

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The Craven/Chapin connection

Had no idea the connection between Harry Chapin and Wes Craven. Amazing how lives intersect.

Source: Wes Craven: The Man and his Nightmares – John Wooley – Google Books

 

 

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Weddings and the West Coast – USA summer 2015 – Week 1

2015-06-17 20.24.19(this is the first of three parts and very long – just giving you fair warning)

Last January, 2014, I was visiting the US for my niece Riley’s bat mitzvah. This was my second time returning to the motherland since I’d left and as with the time before, I took the opportunity to visit friends in LA and San Francisco. While I was in LA I met up with my good friend, brilliant actor and former roommate JR. A few weeks earlier, JR had gotten engaged to the beautiful and charming Natasha, whom I’d heard about but this trip was my first time meeting her. It was great! Then at one point, JR and I were just shooting the breeze and he said “Listen… If you say ‘no,’ I’m screwed because I don’t know who else fits so will you be my Best Man.” I man enough to admit there were tears and hugging and of course I said “yes!” Continue reading

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Review: Tomorrowland

tomorrowland posterTomorrowland channels the pop cultural idea of Walt Disney and wears its heart on its sleeve… and while that’s okay, I expected more from Brad Bird.

Opening with the “gosh, gee willikers” approach of young Frank Walker to the 1964 World’s Fair in New York (side note, someone should do a piece on the cultural impact that particular world’s fair has had on popular culture) to show off his home built jet pack to Nix (Hugh Laurie). Their dialogue basically sets up the rest of the film: Continue reading

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Review: Avengers: Age of Ultron

avengers-age-of-ultronAvengers: Age of Ultron, as far as I’m concerned, works. Now, to be fair, I’m a fanboy. I’m predisposed to like it and be far more forgiving than others who don’t know Marvel from marvel. This doesn’t mean I can’t find fault with certain elements (I do) but it does mean I’m more willing to give it a bit of lead. I’m also not so tied to the source material that I’m going to freak out becuase something happened on screen differently than the way it happend in issue #183 of the comic. Intention and execution count for a lot with me, as do target audiences and the desire of the writer/director (not to mention the studio) to please as many people as possible. Continue reading

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