This is the second time I’ve seen this film and interestingly, the same problems I had with it the first time, I still have in the same way. So at least it’s consistent.
There’s an interesting thing about seeing a caper film a second time. Well, any film with a “twist” or two in it, I suppose, but caper films are known for being heavily reliant on specific plot details not being revealed until late in the game, Particularly this one, which involves magic tricks. See, watching it for the first time (and yes, I went my second time with a friend who hadn’t seen it before) you’re not expecting the surprise ending and when it comes, it hits you full in the gut. But that second (and subsequent) viewings, when you’re ready for the punch, you can usually see it coming a mile away and sometimes, that telegraphy can completely ruin the film. The Sixth Sense is like that. In recent days, due to his involvement with the Will/Jaden Smith vehicle After Earth, director M. Night Shyamalan has come to be revealed for the charlatan he is and Sixth Sense proves it. Watching that film once you know the ending is an exercise in tedium. The only reason it garnered the praise it did at the time was people weren’t expecting that hit and when it came, it sent them reeling. Continue reading “Review: Now You See Me”

So I went and saw 
I’m gonna start out by saying I loved this film. Let me just get it out of the way now. Zombie Strippers is a fun, frolicking fest of undead female flesh! It is packed with enough laughs, nudity and philosophy to make it required viewing for any college student’s weekend late night plans. Not since Chopper Chick in Zombie Town have I laughed this hard at an intentionally funny horror film. For sheer entertainment value, Zombie Strippers ranks among the top films of the year.
Shutter, the latest in the Asian/American horror film exchange program, is one of the weaker entries, although it still has enough chills to make it a decent Friday night date film. The story is typical horror film fare: photographer Ben Shaw (
There is only one game in a casino where you play against the house and you have the possibility of beating the odds – if you know what you’re doing. That game is blackjack aka 21. The rules are simple: starting with two cards, you can keep drawing until you get as close to 21 as you can without going over. The dealer does the same thing and whoever is closer at the end, wins. Simple, right?
Run Fatboy Run is probably the worst, if most descriptive, title of a film out this season. In the simplest terms, it tells you the basic plot of a film where a slightly overweight man, Dennis (
The first real tear-jerker of 2008 is here and it’s called La Misma Luna (Under the Same Moon). That “same moon” is the one under which both Rosario, a young mother working in Los Angeles and Carlitos, her nine year old son back in Mexico, both sleep. It’s the moon they both look at knowing the other is also looking. It’s a way they have to connect with each other between their weekly Sunday morning phone calls. At times, it is the only hope they have of ever seeing each other again.
Sports movies have their own tropes and clichés. There’s always the underdog team, the former star hoping for a comeback, the rising star looking for his break, the down-and-out owner looking to make his team profitable and the big play at the end which redeems everything. Semi-Pro, Will Ferrell’s new vehicle, hits all of those conventions and at the same time adds in a new one, that of Will Ferrell.

