The problem with experimental films is that sometimes they fail. Sunshine is just such a film. Directed by Danny Boyle from a script by Alex Garland, this has a wonderful pedigree – these are the same guys, after all, who brought us 28 Days Later – and really should work. But it doesn’t.
This isn’t to say the film is a complete failure. In fact, not only is it quite beautiful to look at, for the first half it’s very good. Like a lot of modern films though, it falls apart in the conclusion, mostly, I think because Boyle and Garland don’t trust their audience. Continue reading “Review: Sunshine”
The time has come, I think, to officially create a sub-genre in the dramedy film category for the hitman movie. There have been a number of them through out history: The Professional, Gross Pointe Blank, Coldblooded, Mr. & Mrs. Smith and now, a new one joins the ranks and for me, it’s number one… with a bullet. Continue reading “Review: You Kill Me”
Two things about No Reservations, right here at the top, just to get them out of the way. They relate to each other and I think it’s important they both get mentioned, in order: first, this isn’t a bad film… it’s just not a very good one and second, if you want to know everything, and I mean everything important, that happens in this film, watch the trailer. Because if you’ve seen the trailer, then there are no surprises in the 105 minutes you’re going to spend in the theater. Personally, I find that a little troublesome because it takes a movie which could have been a cute, romantic comedy and turns it into a by-the-numbers rehash of every cliché in the book. As icing on the cake, No Reservations isn’t even original in its unorginality – it’s a remake of the 2002 German filmMostly Martha. Continue reading “Review: No Reservations”
Pixar is the best movie studio in the English speaking world. I’m not sure if that claim is too big, but honestly, I’ve never seen them miss and they certainly don’t in their latest, Ratatouille. This film has heart, charm, darkness, love, wit, and just a soupçon of silliness… and all of this without the benefit of any actual actors on screen. Continue reading “Review: Ratatouille”
No one does sarcastic action hero better than Bruce Willis. There, I said it. And no matter how many people try to top him at it, it just doesn’t play as well as if it were Bruce Willis. Why is this so important to state, though? Because there are many pretenders to the John McClane throne and even though it’s been twelve years since the last time Willis has donned the McClane mantle, in Live Free or Die Hard he slips it on like he’s wearing an comfortable old suit and man is it great to see him back. Continue reading “Review: Live Free or Die Hard”
The filmmakers behind Harry Potter and the Order of the Phoenix have done something a little risky. Here, in the fifth installment of the wildly popular series, they’ve not only shied away from the light, airy world created by Christopher Columbus in the first film, Harry Potter and the Sorcerer’s Stone, but they’ve also ignored any type of pre-film summary. When the lights go down in the theatre, the film starts. Just like that. There’s no “previously, in Harry Potter…” synopsis of everything that’s gone before. And good on them, I say. By this point in the series, if you’re just joining in, there’s just too much back story to try and deal with. Go rent the other four if you need to catch up… we’ll wait. Continue reading “Review: Harry Potter and the Order of the Phoenix”
About twenty minutes into Michael Bay’s tent-pole blockbuster Transformers my eight-year-old nephew Bailey said, without ever taking his eyes off the screen, “Now, this is the good part.” What he was referring to was the first major battle between competing super robot factions Autobots and Decepticons. And he was right. Continue reading “Review: Transformers”